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Tuesday, October 5, 2010

thoughts on Facebook



I guess a spoiler alert is needed here in case you have not seen Catfish or The Social Network...

As a sociology major (and one who wrote 3 different college papers on Facebook), I was fascinated by the ways in which The Social Network and Catfish defined our generation: We are the entitled, the anti-authoritarian, the reckless, the overconfident, the pompous. We are hedonistic, chasing down every temporary high (to borrow a phrase from Stacey Orrico). We are overly trusting and yet with a lack of regard for our fellow humans. We are self-centered and believe ourselves suffering, despite our relative luxury and privilege.

I think the major lesson from both movies is that we haven't really thought through all the potential consequences of our lives on the Internet. We all kind of just leapt onto Facebook without considering how it could affect us ten, twenty years down the line, let alone tomorrow. I worry about what our nation will be like with everything documented and archived, with no such thing as privacy. With all of our diaries and embarrassing childhood secrets open to the public eye. When 20 years from now, our presidential candidates all have pictures doing body shots at Spring Break '08. And when our generation finally settles down with wives and children and yet continues to have unlimited access to know exactly what everyone they've ever slept with is doing with their lives.

Both stories make it pretty clear (often heavy-handedly) that what drives the plot forward is the desire for human connection. Despite the technology, the walls that we build up to define ourselves and to present ourselves in exactly the way we want to be seen, we are desperately and callously reaching out for romance, sex, love, a relationship, someone to get us. And yet, real connections don't come from our presence on the Internet. Whatever is on the Internet is not "real." We have created a disconnect for ourselves where we can behave in ways we otherwise would not. The Internet creates a layer of protection, a detachment from reality which allows us to play out dramas, sexual or Machiavellian, in which we can be heroes or villains or something in between.

Both movies are extremely male in their viewpoint. The women and girls fit into the most basic of prototypes: angels and sluts, manipulative shrews, possessive jealous girlfriends, innocent wide-eyed young girls and power-hungry groupies. The men are nuanced- even when we disagree with their decisions, we understand where they come from. Whereas the girls are flat, faceless, as personality-filled as Facebook profiles can be, there to look pretty or scared or use their siren-like good looks to manipulate our loyal heroes. Mark and Nev seem more interested in the pretense of love than anything close to a real relationship. Neither of them seems to really listen to the girls they both claim to love. Mark, driven by power and popularity, and Nev, unaware that he is being manipulated, ignore the parts of their so-called loved ones that they don't want to understand. I don't mean to say that all men are like this, but Nev and Mark both seem indicative of a certain kind of guy within our generation who look at women as beautiful but crazy and are completely befuddled by why we behave the way we do. After all, who would want a real woman with all her complications and flaws when one can have a nameless groupie, an airbrushed model, a trophy girlfriend to bring to punch events or a one-night stand in a bathroom stall?



All of the above is an oversimplification of course. Like our heroes, I simplify things until they are the way I want them to be. If we can't fit our lives into little boxes (of html or otherwise), how are we supposed to understand it? I am, after all, a product of my generation.

Thursday, July 29, 2010

at the end of the day yesterday, i was really regretting signing up for a dcm workshop. i'd had 3 not good shows in a row and i was growing increasingly frustrated with the fact that all my improv friends seem to have all the time in the world to see shows; to block off an entire weekend for the dcm marathon; to do practice groups, dcm workshops, class, see shows and be in shows all in the course of a week. i don't have time for this. i continue to make time for improv in my life and i'm not sure why. why am i continuing to make sacrifices for something that's not "paying off"? for improv, i have missed work, cancelled doctor's appointments, blown off my friends, and sunk way more money than i want to think about.

whether this has been a good choice or not is besides the point. people can argue that improv has its flaws, that the majority of it is not very good, and that it's a money trap. i'm not going to argue against any of that. i'm not sure whether it's been a good choice in my life to continue with it. i know that i have had a hard time committing to any pursuit that takes time, effort and money, that i have wanted desperately to be good at japanese or guitar or screen-writing, but that i have always given these things up because i couldn't deal with the idea of being bad, at failing. so i wrote them off as a waste of time. or something i could do later when free time and a pile of money just happened to come along in my life. how long did i have to suck before it just clicked? where was the movie-style montage where i started out shitty and ended up great at the end of one song?

mid-class yesterday, i asked the teacher (curtis gwinn, a hero of mine and a performer in the first improv show i ever saw... commedia dell high school, which changed my life) a question. he apologized that his response wasn't as cut-and-dry as i'd wanted it to be. but in his answer, he reminded me that improv is not paint-by-numbers, that no amount of following the rules could make up for a lack of innovation or inspiration. i want to approach improv like a science, the same way i approach a lot of things in my life. if i do everything perfectly, if i make no mistakes, if i follow the same system every time, things will have to turn out okay. i go into scenes scientifically, following rules, annoyed at people when they break them.

but improv, like life, is unpredictable. the unpredictable is what makes it funny and fun and an art, as opposed to some kind of machine. there are no steadfast rules. there are no right answers. we make choices and we live with them and sometimes our scene partner makes choices that we don't agree with, but they've been made and the whole audience has seen them and we have to choose how to react accordingly. none of my friends or teachers or parents or bosses can tell me what the exact right thing to do is because there is no right thing. this is incredibly frustrating to me, but i guess you just keep going, right?

Tuesday, July 6, 2010

On The Daily Show and Women

Last week, Jezebel published a scathing post on the lack of women on the writing staff of The Daily Show, after which the women of The Daily Show responded with their own online message. Jezebel's been getting a lot of flak (See Emily Gould's piece at Slate) and so has The Daily Show (see Tiger Beatdown's parody of TDS ladies' open letter). And it's one of those issues where I feel very torn between the two sides.

I think it's very nice that TDS is responding to Jezebel... they certainly don't have to. And it's lovely to see all those women who are contributing to the show (especially Jill, yay Jill). 40% of the staff is more than I would have guessed. And I want to believe that Jon Stewart is the demigod I make him out to be in my mind, so it's nice to hear people stick up for him. Besides, I love Olivia Munn and am all about a hilarious outspoken half-Asian lady on the show (whether she eats a banana seductively or not).

The problem is that the letter seems more like defensive PR strategy than any sign of empowerment from the women of the show. And having all of these women sign this letter doesn't make the complaints of women who used to work on the show any less valid. I can imagine (and I may be totally wrong on this) that there are people who signed it with a tinge of hesitation- who love their jobs and love Jon Stewart and love the show, but still feel disrespected or unwelcome occasionally. Because that's the way the world works, and because not everyone is politically correct or sensitive to the underdog 100% of the time. It takes a lot more courage to say something that goes against what people in power want to hear than to go with the flow. And to just shove those people away and say "No, we are all of one collective mind who likes how things are. We do not differ in opinion from one another" seems like a glossing over of the problem.

Regardless of how many women are on staff in total or what glowing reviews of Jon and working there they can drum up, it still might have been nice to hear that someone high up at TDS does value the idea of increasing gender and racial diversity on its writing staff and among talent. Instead of just saying "We're all happy," I would have liked to hear someone acknowledge that "Yes, there are a lot of white dudes on our staff. There are a lot more of them in the comedy world in general. But we're trying. We want talented women to come out and write for us. We're dying to have a diverse staff, so keep trying and don't be intimidated by how our correspondents and writing room look right now. We're waiting for you to come along and change things!" Because I get that it's hard. I get that people don't want to compromise the quality of their show to fill some kind of quota. But to pretend that there is no problem, that everything is fine, is a problem in and of itself.

And that's my moment of Zen.

Sunday, June 13, 2010

the classiest Tonys party ever


or how I learned to stop hating the Tonys and start loving baked brie...

Friday, March 5, 2010

THE GAMUT




If you haven't listened to The Gamut yet, please please do.

http://www.breakthruradio.com/index.php?show=9534

It's my new radio show with Sean Patton on Breakthru Radio where we take hot topics and dissect them. Kind of like The View, but with less middle-aged women and more sexual tension (although I am SURE that Whoopi and Elizabeth Hasselback get it on in the green room before every show). Our first guest is Brent Sullivan. Sean and Brent are two of my absolute favorite comics in NY who are both going to be stunningly famous in five years and then you will feel left out for not having been in the loop back when I told you to be. They're both extremely talented and I feel so fortunate to get to do this with them.

There's also a link on the page to download it as a podcast via iTunes, so if you enjoy hearing my raspy voice freaking out while you're on the treadmill on the gym, that is something you can totally do. I won't judge you for it. Although I do hate when people live lives healthier than mine (but that is an easy thing to do, hence me often full of hate).

Comments? Criticism? Ideas for topics? E-mail thegamutradio@gmail.com. I've been checking it like 3 times a day and even though I'm sure my mom is the only one who's going to send anything to it, I have high hopes that one day the volume of e-mail is going to be so overwhelming I am going to have to hire an intern to sift through it for possible secret admirers that I can date.

Also join the Facebook group: http://www.facebook.com/group.php?gid=336920866332&ref=mf

Monday, February 22, 2010

just dance!



this video made me miss dance/choreo. not that it's the best choreo or dancing i've ever seen, but it has a level of theatricality/mixture of styles that reminds me of stuff like citystep/eden/fap/etc.

at what point do you resign yourself to a lack of limelight? i remember thinking in college that even if i couldn't rock the comedy world or the dance world at harvard (and by rock, i mean be better than everyone else since i have impossibly high standards for myself), i at least consistently managed to get a little bit of both into my life and bridge the gap between those two worlds. but out of college, you have to make decisions b/c nobody will pay you to do a little of everything. my job now excites me and has something new to offer every single day, but it's still within one very specific realm. the world is so much bigger than harvard or hunter that it's hard enough just committing to two different types of comedy (improv and stand-up) let alone anything outside of those. i could still take dance classes if i had time EVER and i know a couple of guys who would have no problem with a weekly trip to la caverna, but part of me wonders if i'll ever get the opportunity to dance onstage again.

now that i think about it, isn't our generation the first that was pushed to such extracurricular greatness? might there be a market for this (and didn't i write my thesis about this re: improv)? there's a whole generation of post-collegiate overachievers who are probably working a job they like (or hate) but still want to flex some muscle they no longer get to. what if there's a boom in amateur literary mags, a capella groups, dance recitals, and community theater?

Friday, January 15, 2010

what i watched

ugggghhh i forced myself to take a day off work, improv, and comedy shows for one day b/c i was THESICKEST yesterday. this was not easy for me. but my mommy came by and took care of me and luckily, i had the world tivo-ed and a sick night of live tv, so here is what i watched yesterday:

-2 episodes of the IT crowd (new obsession)
-2 episodes of How I Met Your Mother
-The Lives of Others (SO GOOD! i like how i break up a day of exclusively comedy with the most depressing German independent movie that's not about nazis in the history of movies)
-half of Bachelor Party 2 (this happened when i fell asleep with Comedy Central on and woke up hazily throughout the day to catch this terrible terrible movie)
-an episode of The Soup
-Big Bang Theory from Monday
-Is it still called Must See TV? Regardless, I watched the full lineup at its actual time which never happens. Community, Parks & Rec, and dos 30 Rocks (60 Rock?). Comedy fangirl nerdgasm w/ guest stars aplenty... Jack Black, Will Arnett, Justin Theroux, James Franco, Dominic Dierkes, DC Pierson, Ben Schwartz... Justin Theroux is one of these people like Paul Feig who is tangentially involved in every cool project on TV and film and yet still not super famous. And James Franco falls into the Jon Hamm/Bradley Cooper/pretty much anyone who's done Between Two Ferns mold of people who are too good-looking/suave to be just comedians but really want to be part of the comedy scene anyway... ugh, unfair. And there were SO MANY ucb people on nbc last night, it was outrageous. I've become such an Andy-April 'shipper. Love them. (This entire paragraph is a pretty good indication of exactly the type of nerd I am. #imtheworst)
-Project Runway (so over it already)
-Daily Show
-Conan (TEAM CONAN FTW)

Wednesday, January 6, 2010

"Admit it, if you're out with a friend and they get up to go to the bathroom, the first thing you do is reach instinctively for your PDA/phone, when you used to just sit idly and people-watch. Because even when it's quiet, it never stops whispering at you from your pocket or your purse: "cheeeeck meeeee. I could be that person who blew you off, finally coming to my senses. I could be that work email you've been waiting for. I could be that invitation to something better than where you are now." It whispers, it calls to us, it is both our social wellspring and the black hole devouring The Now."
-Stinson Carter, The Subtext of Texting, the Huffington Post